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<!--Generated by Squarespace Site Server v5.11.81 (http://www.squarespace.com/) on Wed, 08 Feb 2012 16:46:55 GMT--><?xml-stylesheet type="text/css" href="/universal/styles/feed.css"?><rss version="2.0"><channel><title>National Book Awards - 77 Winning Fiction Books - Comments</title><link>http://www.nbafictionblog.org/nba-winning-books-blog/</link><description></description><copyright></copyright><language>en-US</language><generator>Squarespace Site Server v5.11.81 (http://www.squarespace.com/)</generator><item><title>Carlos R. comments on 1972</title><author>Carlos R.</author><pubDate>Wed, 25 Nov 2009 09:34:58 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/1972.html#comments</link><guid isPermaLink="false">382209:4123365:comment/6421910</guid><description><![CDATA[<p>Sorry, Jeff, but although Pynchon is brilliant, I would hardly consider his characters (all 100,000 of them) multidimensional. I'm sure that the readers of O'Connor are not as brilliant as Pynchon (or you - ahah) but readers, even one-dimensional readers, are attracted to O'Connor for her characters and all their dimensions.</p>]]></description></item><item><title>Nathan comments on 1974</title><author>Nathan</author><pubDate>Fri, 20 Nov 2009 05:25:40 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/1974.html#comments</link><guid isPermaLink="false">382209:4123365:comment/6350397</guid><description><![CDATA[<p>Started reading GR three times, put it down thrice.  Tough read.  But the fourth time, my friends, was the charm...a 'screaming' indeed!  Re-read it a year later and from the last page turned immediately to page one and read it through yet again.  I'm convinced this is the ideal way to absord this work.  At least it was for me.  Sort of a literary mandala.  The Bible is called the Good Book.  I call Gravity's Rainbow THE Great Book.</p><p>'Now everybody...'</p>]]></description></item><item><title>Jeff Richey comments on 1972</title><author>Jeff Richey</author><pubDate>Fri, 20 Nov 2009 04:07:02 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/1972.html#comments</link><guid isPermaLink="false">382209:4123365:comment/6350169</guid><description><![CDATA[<p>Ok, so maybe if I could see through the cannabis haze of my memory (much like Doc Sportello in Inherent Vice) I would have remembered that I voted for Gravity's Rainbow to receive this award, as this is not a category for new fiction. In any case, same argument: Pynchon's ocean-deep critique of capitalism and the folly of Western culture at large should have won. Flat and mindless cretins vote for the shock tactics of every librarian's favorite Southern Goth... And at a time when capitalism is so need of vocal opponents. Shame shame, judges...</p>]]></description></item><item><title>Jeff Richey comments on 1972</title><author>Jeff Richey</author><pubDate>Fri, 20 Nov 2009 03:47:43 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/1972.html#comments</link><guid isPermaLink="false">382209:4123365:comment/6350112</guid><description><![CDATA[<p>Thomas Pynchon deserved this award for Inherent Vice. Too bad people couldn't see past the story's haze of cannabis smoke and into the Lemuria-deep critique of capitalism between the lines. If people were more intelligent overall and not just awed and excited by cynicism, morbidity and humorous violence, then the more deserving author would have received the award. O'Connor is an overrated adrenaline pusher. One-dimensional people are easy to shock and excite these days.</p>]]></description></item><item><title>Todd Sentell, Author of Toonamint of Champions comments on 1972</title><author>Todd Sentell, Author of Toonamint of Champions</author><pubDate>Thu, 19 Nov 2009 11:35:20 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/1972.html#comments</link><guid isPermaLink="false">382209:4123365:comment/6331901</guid><description><![CDATA[<p>I WENT DOWN TO THE INTERSECTION OF PICK-UP TRUCKS AND HOLY WATER</p><p>Concerning the dedication of your Georgia historical marker under the hot Milledgeville sun</p><p>Dear Flannery,</p><p>Forty-three years after you died too young, a Georgia historical marker was stuck in the ground across the highway from the end of Andalusia’s driveway.  On a boiling morning in July, in the long shadow of a big Badcock &amp; More furniture store sign, just before the dedication ceremony started, a suntanned fellow in a red pick-up truck drove past and honked his horn. For an instant, I thought Parker was back.</p><p>The mayor of Milledgeville spoke about you in his Milledgeville accent. And then, a priest with an Irish name in a big white robe from your old church got up in front of everybody and waved his hands around and read some things from out of that book that’s not exactly the Bible. He said some things that a few of your fellow Catholics repeated with him, and then the priest flicked the historical marker, while it was still covered with an official Georgia historical marker blue cover, with holy water. He flicked his wood water wand six times. I counted. </p><p>The first time he flicked it at the cover you could see the cover quiver. If there was a moment you would have loved the most, other than that redneck in the pick up truck blasting the earnestness out of the hot air, it was that holy water business. I’m not Catholic, but these were moments I deeply understood anyway, especially since we were right across the road from where you made literary history because of those hard, perpendicular intersections you designed in your stories and two novels—the perfectly-timed crashing together of personalities and religion in all its strange forms that you made … and its haunting aftermath. We were having some near crashing together of religion and personalities right there—right by a loud Georgia state highway in a modern time as we quietly stood in the grass that belonged to your new marker and a discount furniture store.</p><p>After that priest blessed your marker, the fellow who’s in charge of the Georgia Historical Society got up there and said he was pretty sure that this was the first time in the history of Georgia historical marker dedication ceremonies that one’s been flicked with holy water. Everybody laughed and nodded at each other. God, did I think of you right then. I’m sure I wasn’t the only one who got the literary and personal importance—to you—of that moment. I saw you smiling down at this one, too: after everybody stopped laughing I wanted to shout out, like Hazel Motes would at discovering a competing blasphemer, that the feller who’s in charge of the Georgia Historical Society is wearin’ a tie covered with the logo of the state of goddamn South Caroliner!</p><p>After the roadside ceremony, we were invited to come across Highway 441—very carefully—for a reception in the main house. Your house and yard were populated with people speaking in only Southern accents and they were talking about how they knew you and when. Or how and when they knew your mother.</p><p>On your front porch an old woman grabbed my arm and asked me if I was in church Sunday.  That she saw me. I said I wasn’t … I live one hundred miles from here … but if my evil twin was there, then good for him.  The lady, tottering on feeble pegs, told me her name but I didn’t get it because she spoke in an accent so rich her words came out like syrup. She said she had moved onto the farm when she was fifteen and that you and her were opposites. She said she lived in that building over there. She pointed at it with a crooked finger … at the old shed where Andalusia’s current caretakers keep an old donkey named Flossie. I wondered if she was drunk. Who cares. We were all drunk on you, standing in your bedroom door gawking and pointing at your crutches, your bed, and your writing table. I’m sure you think that’s repulsive—a bunch of people crowded at your door like that.  But I’m a respectful hick.  I gawked with misty eyes but I didn’t point.</p><p>Heading back home up Highway 441 in my truck, I passed a couple of Georgia roadside markers of another kind—those homemade crucifixes people stick into the ground where a family member or friend was killed in a car or truck or motorcycle accident. You never know. When you see one, and you see a lot of them in the South, all you know is that death happened right there and somebody wants you to by-God know it.</p><p>But it’s never at that intersection you write about. You always see those crosses on some long, straight stretch of highway or country road.  I think of you as I travel my long stretch of road and across fields of living fire, sometimes in a straight line and sometimes real crooked … as your voice strikes up in my mind … your voice climbing upward, on key, into a starry field … and those who love what you’ve done to them come to that moment of your grace on that road sooner rather than later if we’re paying attention and we thank you for it … whole companies of us … white trash and bands of black niggers and battalions of freaks and lunatics shouting and clapping and leaping like frogs.  And those who have always had a little of everything and the God-given wit to use it right … your readers, wrapped tightly in barbed wire … we honk our truck horns in your honor and shout hallelujah.</p>]]></description></item><item><title>Jon comments on 1974</title><author>Jon</author><pubDate>Wed, 21 Oct 2009 22:46:14 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/1974.html#comments</link><guid isPermaLink="false">382209:4123365:comment/5945324</guid><description><![CDATA[<p>The best!</p>]]></description></item><item><title>William Faulkner comments on 1951</title><author>William Faulkner</author><pubDate>Wed, 21 Oct 2009 19:46:18 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/2009/6/18/1951.html#comments</link><guid isPermaLink="false">382209:4123365:comment/5944199</guid><description><![CDATA[<p>William Faulkner's inimitable voice, a voice which unmasked injustice, greed, human concupiscence, but also wisdom, profound compassion, and country savvy, provides the most original expression of a distinctive sensibility to arise out of American letters.  He created an entire universe, Yoknapatawpha County, and peopled it with beings of flesh and blood whose fates readers cared about.  His mastery of the stream of consciousness technique, and his ability to reflect the art of James Joyce in his own acutely original style, celebrates the heights of human artistic imagination.  He was a soul ennobled by literature, who returned the gift of his intellectual and spiritual enlightenment, and shared that vision with every subsequent generation.  Selecting his collection of short stories as a National Book Award recipient revealed the best in the award's perspicacity and established it as the award to be most coveted by American writers.</p>]]></description></item><item><title>Chuck Augello comments on 1980</title><author>Chuck Augello</author><pubDate>Tue, 13 Oct 2009 15:31:39 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/1980-1.html#comments</link><guid isPermaLink="false">382209:4123365:comment/5869613</guid><description><![CDATA[<p>A wonderful novel, a triumph of storytellng and language.  I was a freshman in high school when I read Garp for the first time.  It was my initial experience with &quot;literary&quot; fiction, and I will never forget how it opened up the world of literature for me.  Over the years I've read the novel several times.  Sometimes the novels we love as young readers don't hold up against our adult sensibilities, but Garp has grown with me, and is so rich in its characterizatons and storytelling that I discover it anew with each reading.   This novel is a part of my life, and what more could we ask for from a work of art?</p>]]></description></item><item><title>Will Weaver comments on 1972</title><author>Will Weaver</author><pubDate>Tue, 06 Oct 2009 12:08:52 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/1972.html#comments</link><guid isPermaLink="false">382209:4123365:comment/5804110</guid><description><![CDATA[<p>If you want to write, read Flannery O'Connor's short stories.</p>]]></description></item><item><title>Tim Ware comments on 1974</title><author>Tim Ware</author><pubDate>Fri, 02 Oct 2009 23:09:17 +0000</pubDate><link>http://www.nbafictionblog.org/nba-winning-books-blog/1974.html#comments</link><guid isPermaLink="false">382209:4123365:comment/5726712</guid><description><![CDATA[<p>People will be reading Gravity's Rainbow in 500 years. I've read it a number of times and it gets richer and more complex with each read. The writing is a combination of loose and highly disciplined. And the abrupt changes in tone from slapstick to high seriousness makes reading this novel like surfing Mavericks. It constantly threatens to derail you but you right yourself and keep barreling down its steep and shimmering face....</p>]]></description></item></channel></rss>
